Fralin exhibition tells a story beyond the gallery walls
When Maximilian Schele De Vere arrived in Scott Nolley’s art conservation studio in Richmond, he was in rough shape. Covered in years’ worth of dust, tobacco residue and coal-fire furnace soot, Schele De Vere—or rather his portrait, rendered in oil paint on canvas by Louis Mathieu Didier Guillaume circa 1887—had fallen against a trash can […]