Hearing Mountains live can be a revelation, a chance to dissect the discrete elements that make up its dense wall of sound. Though the volume can be overwhelming, there’s very little on stage movement or communication; Holtkamp and Anderegg seemingly share a psychic bond that lets them know where they’re headed next, based on careful listening and years of working together.
The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical.
FIREFISH Gallery presents “SIN: An Exploration of Eroticism Through Art.”
Leaping nimbly from intense psychological anguish to giddy, fool-inspired revelry across a plot that covers over 16 years and two disparate countries, Shakespeare’s The Winter’s Tale blows the game wide open with a complex examination of jealousy and regret on one hand, and farcical comedy resulting in a plethora of marriages on the other,
Even by typical 21st century Vaudeville-style comedy act standards, the Flying Karamazov Brothers are unexpected and uncontrollable.
The Kluge-Ruhe Aboriginal Art Collection is hosting a Valentine’s Day Tour of Aboriginal expressions of love and romance.
A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
For those who would gladly toss out the flowers, pink teddy bears, and heart-shaped greeting cards, your redemption lies in Raunchy Love Letters.
Bradley Stevens works in oil because of its slow drying time, which allows him to manipulate it, softening it and blending it.
With Wolf’s Law, The Joy Formidable have released what may be one of the best rock albums of 2013. Between the epic rock, gorgeous melodies, swelling choruses, singer Ritzy Bryan’s pixieish and ethereal vocals convey all the dramatic sweep of a concept album that fulfills its promise.