Film review: The Longest Ride plays to short attention spans
The Longest Ride, like all Nicholas Sparks movies, is overlong, contrived and blatant in its pandering. Yet by being one of the most preposterous Sparks adaptations yet—a mishmash of pop-country neo-Americana with Barry Levinson-esque nostalgia and good old-fashioned sexy wish fulfillment—there is enjoyment (or at least begrudging respect) to be found in how openly and […]