What if I were to tell you that here in Charlottesville there is a nucleus of artists who self-identify as Christians, who are on the cutting edge of the scene, […]
Street art, anonymous messages and cryptic interactions are all clues in the reality game documented in the indie pop-psych documentary The Institute.
It may seem strange to suggest that a movie about the survival of the human race doesn’t have high stakes, but Oblivion, a movie about the survival of the human […]
Crooner Carol Covell, a mainstay of the Richmond Jazz Society for nearly 15 years, and Skip Gailes, a VCU jazz piano and saxophone instructor, solidify the classy new image at Escafe.
One of America’s great art connoisseurs and patrons, Paul Mellon was quoted as saying that he and his wife “almost never buy a painting or drawing we would not want to live with or see constantly.” Having cut his teeth on father Andrew Mellon’s renowned art collection (which formed the nucleus of the National Gallery of Art), Paul Mellon was graced with an extraordinarily refined eye.
In 2011, Sub Pop, the indie record label that first signed Nirvana and almost single-handedly sold grunge to the world, released Black Up, the first full-length album from Shabazz Palaces, one of Seattle Hip-Hop’s biggest stars.
Liz Duffy Adams’ Or, is Live Arts’ latest offering, a deftly minced hodge-podge of a play, primarily consisting of what may be incompletely described as a retroactively considered Restoration comedy. […]
The UVA drama department closes its 2012-13 season and busts open the doors of the much anticipated, state-of-the-art Ruth Caplin Theatre with the 1936 classic screwball comedy, You Can’t Take It With You.
Let’s say it’s 2028, and you’ve decided to watch the new film Before The Finish. The plot is based on the 2013 Boston Marathon bombing, which killed three and injured […]