Film Review: Warm Bodies

What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make friends, and has one in M (Rob Corddry).

ARTS Pick: Anna Vogelzang

Powerful yet coy vocals and astute songwriting are the definitive traits in folk balladeer Anna Vogelzang’s music. And as for evidence of her industry cred, she works with some of current music’s kick ass players.

Beyond bluegrass: Punch Brothers defy genres through collaboration

“We’re always trying to strike a balance,” said Punch Brothers banjo player Noam Pikelny by phone. “We have a reputation for working up covers that surprise people. We love playing our versions of other people’s material and certain songs have become part of the band’s identity. But original music is still the driving force behind this band.”

ARTS Pick: WTJU’s Annual Folk Marathon

The WTJU Folk Marathon stays true to its roots by offering a wide range of special programming such as Western swing, Scandinavian folk, Cumbia Cumbia, and entire shows dedicated to the subtle art forms of accordion, bagpipe, and yodeling music.

ARTS Pick: Patricia Barber Quartet

The Patricia Barber Quartet’s titular namesake is instantly recognizable; as a pianist and composer, she is widely hailed as one of the most imaginative on the scene today.

Film review: Music documentaries to get lost in

Non-sequitur alert: Now that the wretched Super Bowl is over, let’s discuss music documentaries. There are two reasons I’m thinking about music documentaries. First, 2012 was a great year for them. Searching for Sugar Man—which is nominated for an Academy Award for Best Documentary Feature—gets my vote for the best nonfiction narrative film of last […]

Film review: Hansel and Gretel: Witch Hunters

Is this movie a comedy? Horror? A—gasp!—drama? Why does Jeremy Renner play Hansel for laughs? Why does Gemma Arterton play Gretel straight, but occasionally for laughs? Why is Famke Janssen so, so, so serious? For that matter, why is she covered in hideous make-up for the most of the movie when she has such an exquisite face?