Another take: Spider-man ventures out and spins a new tale

The first question that will inevitably come up regarding Spider-Man: Far From Home is: How  does it compare to the other screen portrayals that followed Sam Raimi’s landmark films? But let’s be honest, that train of thought goes nowhere useful. In terms of superhero movies and blockbusters in general, almost nothing is on par with […]

Emotional undoing: Midsommar runs deep on horror and humanity

When a horror movie reaches a certain level of pedigree or critical acclaim, it’s common in some circles to find any word other than “horror” to describe it. “That was just a really scary drama.” Or, “I think it was more of a thriller,” a genre that can overlap but is still distinct. “Post-horror” is […]

Going Dark: The X-Men franchise comes to a boring end

The conclusion of the X-Men franchise was never going to be great, but it didn’t have to be this bad. Back when the first film came out in 2000, the idea of a series of sustained and even quality films based on comic books had not solidified—Superman, Batman, and Blade all started strong but saw […]

Godzilla: King of the Monsters stomps previous beasts

As other non-Marvel cinematic universes either crumble (Dark Universe), or limp along on life support between occasional jolts of excitement (DCEU), the MonsterVerse has been slowly gaining momentum like a long-dormant giant. It started in 2014 with Gareth Edwards’ Godzilla, a technically solid monster flick with excellent creature design that was unfortunately more invested in […]

Dancer’s journey: The White Crow stays en pointe with no distractions

The 1961 defection of Soviet ballet dancer Rudolf Nureyev in Paris sent shockwaves through the artistic and political worlds—both East and West. The USSR was embarrassed that such a prominent figure slipped through its grasp, while the rest of the world now had the privilege of witnessing the raw, unencumbered, uncensored talents of one world’s […]