Who knew the only thing a Michael Bay sequel needed was a new director to rein it in? Say what you want about Michael Bay’s movies (Lord knows I have), but his work is inimitable. You can tell right away if you’re watching authentic Bay or a knockoff. He is a master of his own […]
In times of war, everything that it means to be human is out in the open. We cannot hide from the truth about ourselves. We must either live up to our morals or live down to our baseness. It’s what happens when our values as a society fracture, but in those cracks, the parts we […]
It would be against the spirit of Greta Gerwig’s adaptation of Little Women to compare it to other versions, particularly the 1994 one directed by Gillian Armstrong. Just as the March sisters are all different yet equally deserving of a fair shot at happiness, so too does each adaptation tap into a separate aspect of […]
Subverting genre conventions is one thing. Channeling them into a wholly unique artistic vision is another thing entirely. This is what sets English filmmaker Peter Strickland apart as an innovator, even as he works with decades-old material. Film after film, he manages to be postmodern yet devotional, ironic yet totally sincere. A giallo slasher with […]
Trey Edward Shults’ Waves is an ambitious next step for the writer-director of Krisha and It Comes at Night, balancing his atmospheric skills against a complex narrative of parental pressure, trauma, transgression, and redemption with overtones of race and class. It is very nearly a runaway success in all categories, as the cast brings life […]
In the grand tradition of Agatha Christie comes Rian Johnson’s Knives Out, an ingenious, exciting, rollicking good time. It’s best experienced with no knowledge of the plot, so if that’s enough to convince you to see it, our job here is done. If you need a little more, read on, where we will endeavor to […]
Though Noah Baumbach’s Marriage Story openly invites comments on the irony of the title—this is, after all, a movie about divorce—it’s in their separation that Nicole and Charlie Barber (Scarlett Johansson and Adam Driver) see one another for who they are, as opposed to who they’d become while married. The life they built together was […]
Investigative thriller The Report cares so passionately for its subject matter that it could almost be considered a new work of journalism, rather than a docudrama. Director Scott Z. Burns has written and produced several films on the theme of speaking truth to power using any means available, whether it’s with a wire (The Informant!), […]
Apparently not all jobs outsourced by James Cameron are created equal. Earlier this year, we saw Alita: Battle Angel, his collaboration with director Robert Rodriguez. The hands-on approach of both filmmakers seemed to bring out the best in each, with Rodriguez’s slick camera work and knack for creating chemistry between characters enhancing Cameron’s boundary-pushing special […]
Every year, the Virginia Film Festival brings the best in films past, present, and future. Critics and writers appearing at VAFF include Jamelle Bouie of The New York Times and CBS, Soraya McDonald of The Undefeated, Alonso Duralde of “The Wrap,” and “Linoleum Knife,” and Alissa Wilkinson of Vox, Rolling Stone, RogerEbert.com, and others. Put […]