Mavis Staples If All I Was Was Black (Anti-Records) I haven’t been checking out the Jeff Tweedy- Mavis Staples collaborations of the last few years—apparently, I have been a fool. If All I Was Was Black is a nearly-miraculous alchemy of Staples’ gospel-soul and everything Tweedy throws at her. The swampy opener “Little Bit” includes […]
Mavis Staples If All I Was Was Black (Anti-Records) I haven’t been checking out the Jeff Tweedy- Mavis Staples collaborations of the last few years—apparently, I have been a fool. If All I Was Was Black is a nearly-miraculous alchemy of Staples’ gospel-soul and everything Tweedy throws at her. The swampy opener “Little Bit” includes […]
Bill MacKay & Ryley Walker SpiderBeetleBee (Drag City) I came down hard on Ryley Walker’s voice on his last solo record, openly wishing for an instrumental affair—and whoa, I had no idea he had such a project up and running already. SpiderBeetleBee is the second album of acoustic guitar duets by Walker and the insanely versatile […]
Jackie Shane Any Other Way (Numero Group) Any Other Way is an incredible soundtrack with a riveting story. Jackie Shane was assigned male at birth in 1940 Nashville, identified as female as a teenager, blew minds as a singer/stand-up drummer in various bands, moved to Toronto at the turn of the ’60s, sparked the city’s […]
Adam Ostrar Brawls in the Briar (Super Secret) Adam Ostrar, né Busch, former Charlottesville resident and WTJU DJ, was also a main mover behind Curious Digit, Manishevitz and SONOI. On Brawls in the Briar, Ostrar is joined by members of Califone and White Rabbits, and combines characteristics of all those bands. The tracks gently stir, […]
Gyða Valtýsdottir Epicycle (figureight) A veteran of Iceland’s experimental Múm as well as the St. Petersburg Conservatory, multi-instrumentalist Gyða Valtýsdottir delivers an absorbing hybrid of those two worlds on Epicycle. The instrumentation hews to the traditional, but the sensibility and choice of material are adventurous, as Valtýsdottir interprets Crumb, Partch and Messiaen alongside Prokofiev, Schubert and […]
Judy Dyble/Andy Lewis Summer Dancing (Acid Jazz) Summer Dancing is a triumphant turn for an undersung figure of seminal British psych-folk. Judy Dyble preceded Sandy Denny in Fairport Convention before working with Robert Fripp in his pre-King Crimson days—her range and tone are similar to Vashti Bunyan, though if Bunyan is the mysterious neighbor who […]
Downtown Boys Cost of Living (Sub Pop) “A Wall,” the opening track on Cost of Living, winds up like it could be a punk Springsteen cover—then vocalist Victoria Ruiz bursts through with the righteous, insistent bellow of Dog Faced Hermans’ Marion Coutts or holy Poly Styrene. Downtown Boys calls itself a “serious band from Providence,” […]
Moby & The Void Pacific Choir More Fast Songs About The Apocalypse (Mute) There may be a buncha riots going on, but on Moby’s More Fast Songs the apocalypse is personal, and it feels less like Armageddon than a sleepless night spent sifting and cycling through dire thoughts that are universal, but banal for that. […]
The Stevens Good (Chapter) The Stevens are from Melbourne, Australia, sharing a member with Twerps and sounding pretty similar. They invoke classic Aussie/New Zealand indie heroes like The Clean, cut with Pavement and Guided by Voices (and on “Purple and Grey,” Syd Barrett). It’s almost suspicious how effortlessly the 18 songs on Good unfold, but […]
Lindsey Buckingham and Christine McVie Lindsey Buckingham/Christine McVie (Warner) It’s not fair to criticize Lindsey Buckingham and Christine McVie for going adult contemporary, since that’s what Fleetwood Mac has been for 40 years. And this is basically Fleetwood Mac, with rhythm section Mick Fleetwood and John McVie on board, sounding pretty great on “In My […]