Apart from the music, of course, the best thing about Robin Tomlin’s "Soulful Situation" show on WTJU (every Monday from noon to 2pm), is the amount of history that he provides with the music. "Bad musical history really pisses me off," he says. Tomlin moved to the States from England in 1986 to see live […]
Apart from the music, of course, the best thing about Robin Tomlin’s "Soulful Situation" show on WTJU (every Monday from noon to 2pm), is the amount of history that he provides with the music. "Bad musical history really pisses me off," he says. Tomlin moved to the States from England in 1986 to see live […]
C-VILLE Weekly defines an exhibition space or gallery as a venue that displays art and is either nonprofit, donates space to artists or hosts regularly rotating exhibitions. Gallery listing is at editorial discretion. To have your show considered for inclusion, please provide the names of artists and shows, media used, contact information and show’s beginning […]
Jefferson’s last stand On Wednesday, June 21, a mid-size throng piled into the back of the Downtown Mall’s historic Jefferson Theater to bid a fond adieu (for now) to Charlottesville’s favorite purveyor of $3 movies, which is closing for at least a year to undergo “massive” renovations. Amid flyers proclaiming “Good-bye old Charlottesville: The last […]
Nacho LibrePG, 100 minutesNow playing at Regal Downtown Mall 6 In Nacho Libre, Jack Black has turned himself into a sight gag. His hair permed, a mustache crawling across his upper lip, he cavorts about the screen in one of the most ludicrous outfits since Howard Stern fouled the air as Fartman. There’s a pair […]
The Break-Up (PG-13, 106 minutes) Peyton Reed’s “anti-romantic comedy” about a mismatched couple (Vince Vaughn and Jennifer Aniston) is often funny, sometimes uncomfortably so. Vaughn plays a guy’s guy, the kind who’d like to put a pool table in the living room, and Aniston is a version of her sweet, spunky character from “Friends.” (Kent […]
Abundant Life 201 E. Main St., Suite Q (Above Zocalo). Monday, Tuesday and Thursday, 9-11am; Monday and Thursday, 1-5pm; Tuesday and Wednesday, 1-6pm. 979-5433. Through June 30: “Going with the Flow,” watercolors by Leslie Allyn.
I’m sure that, the day after the Big Bang, someone looked over at the Supreme Being and said, “Great job, now what have you got for an encore?” So it may not say anything about Cars, Pixar’s latest foray into the bits-and-bytes world of computer animation, that I was unable to summon up quite the enthusiasm I did for Toy Story, Toy Story 2, Finding Nemo and The Incredibles. (A Bug’s Life and Monsters, Inc.? Eh.)
Fans of piano jazz know Evan Mook from his gigs tickling the 88’s around town. Mook, who toured with the Tommy Dorsey Orchestra for two years, was a student of local Suzuki method teacher Kay Pitt. When Pitt decided not to take on more new students, Mook became the Suzuki instructor for piano in town. Although it’s unusual, he has dedicated himself as much to jazz as classical music. In fact, Mook has gradually spent more time teaching jazz music to advanced classical players and musicians with a rock background. Local rocker Brian Kingston, whose music has appeared on MTV, and also been written up internationally, has been studying jazz with Mook over the past year.
The thing about the popular local burritto restaurant Atomic Burrito is that there is often a band, always a crowd, and usually the crowd is as diverse as it gets. Part of the secret to Atomic’s success, according to bartender and music booker Josh Lowry, is that the staff really loves music. Typically, the bartenders will make the call on which band plays the bar on the nights that they work, and the resulting live shows cover everything from country to hip-hop to garage rock. Lowry, who heads The Hillbilly Werewolf and Bucks and Gallants (recently recorded at Monkeyclaus), gave me some of his personal favorites, live
and otherwise.
The Break-Up (PG-13, 106 minutes) Peyton Reed’s “anti-romantic comedy” about a mismatched couple (Vince Vaughn and Jennifer Aniston) is often funny, sometimes uncomfortably so.