Film review: The Witch is an unsettling, skillful revelation
“A New-England Folktale” reads the subtitle for the much-hyped (all of it earned) The Witch, the feature film debut from writer-director Robert Eggers. One would be forgiven for interpreting this as a mark of revisionist horror, but there is nothing revisionist about Eggers’ film. In fact, there’s much that is revolutionary. The Witch follows a tight-knit […]