More than ever, we’re treating pop music functionally—we choose and use tunes to get us going in the morning; to set the right vibes for cooking; to get amped for a night out. But creating a functional playlist for others can be perilous. Consider the wedding DJ, who takes responsibility for the entertainment of everyone […]
corncob RANDY (Foil) From the holy-shit desk: Heather Mease found her way from Philadelphia to Charlottesville via UVA’s Ph.D. program in composition, and as corncob, has just released the riveting tour-de-force RANDY. Mease’s vocal performances—it seems inadequate to just call them vocals–bracingly meld coquettish seduction, dark comedy, fragility, and menace over synth/drum-machine/found-sound backing tracks that […]
MC Yallah X Debmaster Kubali (Hakuna Kulala) The most frenetic moment of Kubali comes right at the top, like an intimidating bouncer. Once you get past the brief jabbery pattern of vocables, percussion, synthesizers, and unidentified sonic objects, Kubali just swaggers and bumps. Uganda’s MC Yallah spits in Kiswahili and Luganda, reveling in the stinkface […]
Green-House Six Songs for Invisible Gardens (Leaving) Beginning an album with pooling water sounds is a risky venture. But at the start of the instrumental Invisible Gardens, Green-House combines those liquidy murmurs with some malletophone, and for nearly 30 minutes, casts a spell that’s all the more remarkable for the attendant new age clichés (yes […]
Here’s another set of worthwhile reissues I missed along the way in 2019. (Not included: The Beatles’ brilliant valedictory Abbey Road and Aretha Franklin’s sublimely beautiful and awesomely powerful Amazing Grace.) Akofa Akoussah Akofa Akoussah (Mr. Bongo) Togolese singer Akofa Akoussah is known to aficionados of vintage African pop, but her lone album has been […]
Throughout the year, I reviewed some reissues (notably Gene Clark’s magisterial No Other and Prince’s colossal 1999). Here’s a few I missed along the way—more to come next time. James Brown Live at Home With His Bad Self (UMG) James Brown returned to play his hometown of Augusta, GA, in 1969, planning to release the […]
Not sure why, but in 2019 I spent a lot of time with a relatively few new albums, so apologies to the stuff I didn’t listen to enough. Here’s an idiosyncratic best-of, the albums I listened to all year (in more or less chronological order), with a “rest-of”—albums I liked almost as much, or loved […]
Leonard Cohen Thanks for the Dance (Sony) Recorded during the same sessions as You Want It Darker, which was released three weeks before Cohen’s death in 2016, Thanks For the Dance continues Cohen’s meditations on decay and mortality, though the first half is also deliciously carnal—the Lorca homage “Night of Santiago” smolders even as Cohen’s […]
Miranda Lambert Wildcard (Sony) Glowing with sanitized professionalism, performed hot messiness, and branded shout outs from Patron to Tide sticks, Wildcard is textbook pop country. And after “divorce album” The Weight of These Wings, it’s party time, as Jay Joyce’s production insists–Wildcard is engineered for loudness, and even the acoustic passages are compressed to 11. […]
Velveteen Rabbit Velveteen Rabbit (Hozac) Rising from the ashes of NYC power poppers The Jeanies, Velveteen Rabbit do up the ’70s glory days of glitter rock in a stripped-down way. They don’t try to match the theatrical majesty of Bowie and Roxy Music—especially vocally—but still they deliver plenty of exhilarating boogie via deliciously sleazy guitar […]