Mating ritual: Ready or Not plays well in the horror-comedy game

The class rage-fueled horror comedy Ready or Not is for anyone who’s been robbed of the life they deserve, in order to further someone else’s wealth, status, or tradition. It’s a bloody, hilarious, and satisfyingly mean parable that’s not only mad about income inequality. It’s mad about the rich themselves. How they gained their wealth, […]

Mob blunder: Despite strong casting, The Kitchen is a mess

When you hear the line “I did what I had to do,” odds are the writer knows you were thinking “Why in the world did they do that?” Whenever someone gets shot, ripped off, roughed up, or double-crossed in The Kitchen, we understand why she did it, but it is rarely an obligation. When “I […]

With humor: The Farewell finds laughter in the face of death

It takes a phenomenal storyteller to turn such a deeply personal story into a film like The Farewell. Based on the real experiences of writer-director Lulu Wang, The Farewell is a touching, funny, emotionally rich story about how the expression of love differs between cultures and communities. Sometimes the difference is radical and irreconcilable, but […]

Another take: Spider-man ventures out and spins a new tale

The first question that will inevitably come up regarding Spider-Man: Far From Home is: How  does it compare to the other screen portrayals that followed Sam Raimi’s landmark films? But let’s be honest, that train of thought goes nowhere useful. In terms of superhero movies and blockbusters in general, almost nothing is on par with […]

Emotional undoing: Midsommar runs deep on horror and humanity

When a horror movie reaches a certain level of pedigree or critical acclaim, it’s common in some circles to find any word other than “horror” to describe it. “That was just a really scary drama.” Or, “I think it was more of a thriller,” a genre that can overlap but is still distinct. “Post-horror” is […]