Found footage movies, though often disparaged as too heavily reliant on gimmicks, jump scares and bad writing, have arguably grown up in the last few years. Creep, currently viewable on Netflix, was a production involving only two people on the screen, yet was far more terrifying than most big-budget horror films of the last decade. […]
On January 15, 2009, experienced pilot and aviation safety expert Chesley “Sully” Sullenberger saved the lives of all 155 people aboard US Airways Flight 1549, including his own, with only 208 seconds to turn what could have been a major disaster into the miracle the world saw. A collision with geese had disabled both engines, […]
Director Anne Fontaine’s The Innocents takes place in Warsaw in December 1945, when much of the world was ecstatic at the conclusion of World War II, yet those most affected were too deeply traumatized to feel anything close to relief. And for many in the occupied territory of Poland, the horrors continued long after hostilities […]
No film is completely perfect, but it takes a special kind of wrongheadedness to make a decision that completely divorces an audience from enjoyment by being both morally repugnant and betraying its own narrative. This is the experience of watching Don’t Breathe, technical wunderkind Fede Alvarez’s follow-up to his promising remake of Evil Dead, which […]
Though his name is practically synonymous with groundbreaking artistic vision, Steven Spielberg’s second wind may just be his greatest, most unprecedented achievement yet. After Indiana Jones and the Kingdom of the Crystal Skull—the perfunctory sequel in which it was clear that all returning parties were running on autopilot with little personal investment in the result—Spielberg […]
It may have taken four years of failed vehicles and forced cameos, but Melissa McCarthy finally hits her stride in Spy. Packaged and marketed as more of the same from McCarthy—an alternately crass and sincere broad comedy that misunderstands the difference between empathy and mockery—the slyly progressive and engaging Spy may end up being the […]
Having spent most of the last decade punching wolves and shooting whomever in pursuit of something or other, Liam Neeson’s career resurgence has been a mixed bag. On the one hand, he’s remained relevant in a genre that usually condemns talented performers to straight-to-DVD purgatory. On the other hand, there is now a very strong […]
Criticism of the aggressively inoffensive Dolphin Tale 2 should be taken with the same grain of salt that the critics themselves took when watching it. This film is not meant for analysis any more than Duck Duck Goose is meant to be played at a professional level, and for the same reason: because kids will […]
Not since Raul Julia’s puzzling appearance in the New Jersey Public Television video chroma key disaster “Overdrawn at the Memory Bank” has A-level talent looked as out of place as it does in the attempted scandal flick The Last of Robin Hood. But where “Overdrawn” can blame its production value on the fact that it […]
Watching The November Man try its best to be an exciting Bourne-inspired actioner is like listening to someone trip over themselves, so eager to get to the punchline of a joke that they skip key parts of the setup. And just as a botched joke can be unintentionally funny, so too is The November Man […]