It’s got a mouthful of a title: Natasha, Pierre & the Great Comet of 1812. But we can be thankful that Dave Malloy, the musical’s original composer, lyricist, playwright, and […]
I’ve seen a few one-man or one-woman plays over the years and they’ve all had one thing in common: monotony. Being exposed to that kind of sameness adds up when […]
Jazz is a big genre. So big, in fact, that many subgenres have emerged throughout its more than 100-year history. From the provocative connotations of its New Orleans origins to […]
Roll over, Beethoven—the spring 2026 portion of the UVA Chamber Music Series is not built on composer names that a novice would recognize, or pieces played on standard instrumentation configurations. […]
A lot of indie singer-songwriters stop in Charlottesville on their tours, and many of them are not to my taste. So when I discovered that Rory Scovel was coming to […]
Tanael Joachim holds the kind of enviable, disarming charm that allows him to shift from insights on religion, immigration, and communication, to explicitly disgusting one-liners. But that’s not his bread […]
It’s a little unfair to call Jackson and the Janks’ music old-fashioned. Though, honestly, that’s exactly what it is. But that’s too vague. It doesn’t feel as prudish as that […]
I don’t know about you, but when I think of chamber music, the bassoon is not the first—nor the second or third—instrument that comes to mind. A standard string quartet, […]
Since the mid-’80s, Jon Spencer has been fronting bands and serving as a notable supporting character in what the world used to call alternative music. Despite using the word blues […]
You’ve likely seen the classic Disney cartoon—and maybe even the Magic Kingdom’s live action $270 million stinker from earlier this year. Now you can witness the beauty of Snow White […]