What is it about music as an art form that pushes some people to demand authenticity from those they listen to? Honesty of vision is often expected of musicians in a way that visual or dramatic artists are generally free to ignore—at the very least, there’s supposedly a virtue in musical earnestness that audiences are […]
For a few years now, the UVA music department has taken to highlighting the works of its most progressive and conceptually minded students at the Digitalis Electronic Music Festival each spring. As a loose genre name, electronic music can be confounding to wrap your head around—the classification is broad, and never really reveals what you’re […]
It’s got a mouthful of a title: Natasha, Pierre & the Great Comet of 1812. But we can be thankful that Dave Malloy, the musical’s original composer, lyricist, playwright, and orchestrator confined himself to adapting only a sliver of War and Peace, Leo Tolstoy’s monumental tome. Self-aware of its complexities, the production reveals what audiences […]
I’ve seen a few one-man or one-woman plays over the years and they’ve all had one thing in common: monotony. Being exposed to that kind of sameness adds up when you’re facing a lone actor strutting and fretting their ass off for 90 minutes or more—tasked with embodying the same persona for the entirety of […]
Jazz is a big genre. So big, in fact, that many subgenres have emerged throughout its more than 100-year history. From the provocative connotations of its New Orleans origins to the ever-present smooth variety unobtrusively filling places such as the corridors of Hartsfield-Jackson Atlanta International Airport, there’s no question that jazz has morphed into a […]
Roll over, Beethoven—the spring 2026 portion of the UVA Chamber Music Series is not built on composer names that a novice would recognize, or pieces played on standard instrumentation configurations. They’ve already done a bassoon-focused event, so try this on for size: percussion and viola. The Piedmont Duo highlights two music professors, I-Jen Fang and […]
A lot of indie singer-songwriters stop in Charlottesville on their tours, and many of them are not to my taste. So when I discovered that Rory Scovel was coming to town, I was reasonably certain I was in for another acoustic guitar-picking, overly emotive turnip. To my delight, I was completely wrong. You may be […]
Tanael Joachim holds the kind of enviable, disarming charm that allows him to shift from insights on religion, immigration, and communication, to explicitly disgusting one-liners. But that’s not his bread and butter. Rather, like most great standups, his jokes keep audiences off-kilter by navigating topics of intellectual interest. Of course, when we all least expect […]
It’s a little unfair to call Jackson and the Janks’ music old-fashioned. Though, honestly, that’s exactly what it is. But that’s too vague. It doesn’t feel as prudish as that catch-all people born after the year 2000 sometimes throw around. The twangy guitar and slightly overdriven, whiskey-soaked vocals brighten the ’50s blues-based rock ‘n’ roll […]
I don’t know about you, but when I think of chamber music, the bassoon is not the first—nor the second or third—instrument that comes to mind. A standard string quartet, or some seven-piece collaboration among instrumentalists seated around a piano, captures what I imagine most of us would anticipate for a highbrow Friday evening. Maybe […]