Within the first five minutes of meeting Will Thomas, I’m convinced that the Daughtry fans at Monday night’s sold-out gig at The Paramount Theater will be all over him. Whether they mob him for his skill as a musician or for his uncanny similarities to Chris Daughtry is another matter entirely.
Brendan Fitzgerald also writes Feedback, c-ville.com’s music blog, and Curtain Calls, C-VILLE’s weekly arts and music column.
In which Feedback sings the praises of the Rap Star Name Generator and Gizoogle.
Space near Downtown to host music while work on Jefferson Theater is completed.
Oh hoppy day! After the Anheuser-Busch board rejected a $65 per share offer from Belgian brewer InBev in June, The New York Times reports today that the makers of Budweiser and distributors of Starr Hill Brewery beers accepted a second offer of $52 billion, or $70 per share.
Performers to compete in round robin; winner to battle Jonathan Richman’s gig at Gravity Lounge.
Roughly 30 minutes ago, I ripped open the latest record by Brooklyn’s The Hold Steady. Ever since, I’ve been suspicious that my colleagues know what I’m thinking: As soon as I get out of this office, I am finding the nearest car (preferably mine) and running a 10-mile circle around town blaring this record like an air-raid siren. Why?
In all honesty, Bastille Day has about as much to do with music as Amy “Crackhouse” Winehouse currently does. Come to think of it, the Bastille—a French prison during the reign of Louis XVI—might’ve made a nice rehab joint. The thing is, a good beat trumps a bad party, no matter the occasion. It holds […]
Brendan Fitzgerald also writes Feedback, c-ville.com’s music blog, and Curtain Calls, C-VILLE’s weekly arts and music column.
When I first checked my e-mail this morning and saw the latest message from Weekly DaveSpeak, I could’ve sworn the headline read “Leroi Moore Out For Rest.” And, though I completely misread the headline, I have good news