Rounding the corners: In the run-up to recording Interpol’s latest release, Marauder, drummer Sam Fogarino repeatedly asked himself: “How can I make shit swing?” The post-punk veterans were six albums and more than 15 years into their careers, yet had never strayed from the rock influences of their home turf in New York City. Consulting with R&B greats such as Otis Redding’s drummer Al Jackson Jr. and funk hitmaker Terry Lewis pushed the trio’s sound into groovier territory, softening its trademark rigid guitar and drums.
Related stories
Tina & Her Pony
Touring in support of the new album Marigolds, North Carolina’s Tina & Her Pony rides into town on Americana arrangements that depict a life truly lived. Featuring Tina Collins with Rebecca Branson Jones on pedal steel, the duo’s twangy tunes explore love, loss, growth, and change on relatable tracks that evoke sawdust-covered bar room floors […]
100 Proof
Dust off your dancing shoes and warm up those vocal cords because audience interaction is a must when local legends 100 Proof take the stage. Merging funk, rhythm and blues, neo soul, and jazz with Latin congas, this go-go group brings wild energy to the dance floor. And the beats don’t stop when DJ Runway […]
Charlottesville Arts Festival
Whether you’re out to critique, create, or commune, the Charlottesville Arts Festival celebrates its fourth iteration with a little something for everyone. This year, the two-day celebration of creative culture brings together more than 50 fine artists and artisans, along with local musicians, vendors, and community partners. Interactive demonstrations and workshops provide grounds for insight […]
