In Hedda Gabler, Henrik Ibsen crafted a painfully real representation of the 19th-century angel in the house. Stripped of her individuality, Hedda is repressed by her roles as daughter and wife. The production channels themes of subtle misogyny through love, rage, and a gripping sense of cruelty that leaves Hedda and those around her to meet a tragic end.
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Trapdoors, from both sides now
Something enchanting happens when we cross the threshold between illusion and what lies behind it. That’s a fancy way of saying that I’m a sucker for a behind-the-scenes experience. I’ve always been a huge theater fan, to the point of becoming the president of my high school’s International Thespian Society chapter. As you can imagine, […]
Making a mark
Dathan Kane has just completed a month-long residency at Visible Records, an artist-run gallery and studio space that focuses on contemporary arts and empowering the community, and is located in the Belmont/Carlton neighborhood. Kane’s residency is part of a joint project with the Contemporary Arts Network of Newport News that will see two Visible Records […]
Secret garden
When it comes to Impressionist painting, gardens are a hot subject, and Claude Monet is widely regarded as one of the movements’ premier painters. The film Painting the Modern Garden: Monet to Matisse showcases an extensive exhibition from London’s Royal Academy of Art that is centered around the beauty of the garden expressed by Impressionist, […]