In Hedda Gabler, Henrik Ibsen crafted a painfully real representation of the 19th-century angel in the house. Stripped of her individuality, Hedda is repressed by her roles as daughter and wife. The production channels themes of subtle misogyny through love, rage, and a gripping sense of cruelty that leaves Hedda and those around her to meet a tragic end.
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Arts initiative
January 29 marks the start of Karen Elizabeth Milbourne’s tenure as the J. Sanford Miller Family Director of The Fralin Museum of Art at the University of Virginia. Milbourne comes to UVA from the Smithsonian’s National Museum of African Art in Washington, D.C., where she was senior curator and acting head of knowledge production. A […]
Hypercube
You never know what’ll come through the amps when Hypercube hits the stage—death metal vocals, trilling saxophone, cartoonish scale bursts. The new music quartet performs across the boundaries of classical chamber music, incorporating electric and acoustic sounds for sax, guitar, piano, and percussion. For its concert, Hypercube performs new pieces composed by UVA music department […]
CJ Chenier & The Red Hot Louisiana Band
Creole music royalty CJ Chenier & The Red Hot Louisiana Band fuses the traditional sounds of accordion-driven zydeco with rock and blues. The son of zydeco music pioneer Clifton Chenier, CJ grew up surrounded by the sounds of music indigenous to Louisiana Creoles, and joined his father’s band when he turned 21. Today, his live […]
