In Hedda Gabler, Henrik Ibsen crafted a painfully real representation of the 19th-century angel in the house. Stripped of her individuality, Hedda is repressed by her roles as daughter and wife. The production channels themes of subtle misogyny through love, rage, and a gripping sense of cruelty that leaves Hedda and those around her to meet a tragic end.
Related stories
The Japanese House
On her sophomore album, In The End It Always Does, The Japanese House, aka Amber Bain, explores themes of love, loss, and identity. With her dreamy vocals and heartfelt lyrics, Bain captures the cyclical nature of relationships in a range of real experience that is unapologetically human. The album, co-produced by George Daniel of The […]
No blank pages
Shannon Spence awoke to her calling as a cartoon artist while pursuing a fine arts degree focused on printmaking at University of Virginia. In her fourth year, she took a course in sequential art–and she saw her future. “I realized what incredible potential comics were as an art form, and it just clicked for me,” […]
Informal arrangements
By Aaron Irons The Arcadian Wild finds uplift and grace amid warm harmonies on Welcome, the Music City string band’s latest effort, which blends elegance and heart-swelling dynamics with endearing revelations. Equal parts meditation and jubilation, Welcome offers connection and understanding in an era when such notions are at a premium. Lincoln Mick formed The […]
