Rounding the corners: In the run-up to recording Interpol’s latest release, Marauder, drummer Sam Fogarino repeatedly asked himself: “How can I make shit swing?” The post-punk veterans were six albums and more than 15 years into their careers, yet had never strayed from the rock influences of their home turf in New York City. Consulting with R&B greats such as Otis Redding’s drummer Al Jackson Jr. and funk hitmaker Terry Lewis pushed the trio’s sound into groovier territory, softening its trademark rigid guitar and drums.
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Landscape photographer Karen Duncan Pape turns her lens to the page in “De-Circulated,” an exhibition of reconstructed covers of banned books on display at McGuffey Art Center through January 28. “Growing up in Southwest Virginia, books were extremely important to me, as they exposed me to other worlds and broadened my perspective,” says Pape. “I […]
Black Fiddlers
Take a deep dive into the culture and legacy of African American violinists in director Eduardo Montes-Bradley’s Black Fiddlers. The 60-minute documentary shares the stories and sounds of Black men and women throughout American history, like the late old-time fiddler Joe Thompson (pictured) and 18th-century Richmond virtuoso Sy Gilliat, an enslaved man whose opera melodies […]
Maura Shawn Scanlin
Boston-based fiddler Maura Shawn Scanlin is putting her own inventive twist on traditional Celtic tunes. An award-winning musician, Scanlin incorporates classical chamber music and traditional sounds from the American South, along with Irish and Scottish fiddle playing into her fluid compositions. Scanlin is touring her new self-titled record with Conor Hearn on guitar, Adam Hendey […]
