All this and more

Co-directors Dan Kwan and Daniel Scheinert’s Everything Everywhere All At Once is a relentlessly entertaining, hilarious parody of the nonstop kinetics and overused “multiverse” concepts of recent comic book and action movies. Although it’s heavy on its cartoonish, Sam Raimi-esque mayhem, the consistent likability and humanity make the film peculiarly uplifting. This science fiction/kung fu […]

I, robot

Whether you love or hate Andy Warhol’s work, his impact on the arts as a provocateur, businessman, and impresario is immeasurable. Andrew Rossi’s six-part Netflix series “The Andy Warhol Diaries” sets out to pierce the façade its subject presented to the media. The series gives a fairly nuanced portrait of the godfather of pop art […]

Robotic delivery

If Terry Gilliam remade “The Jetsons,” it might go something like Jean-Pierre Jeunet’s Bigbug. This French science-fiction comedy takes a generally dark movie sub-genre—robot servants revolting against their human masters—and transforms it into an outwardly sunny, pastel-colored farce. The results are a hilarious, fascinating satire that’s seemingly light, but overflows with pointed observations about unchecked […]

Direct miss

In Adam McKay’s satire Don’t Look Up, astronomy grad student Kate Dibiasky (Jennifer Lawrence) and her professor, Dr. Randall Mindy (Leonardo DiCaprio), discover a “planet-killing” comet that’s hurtling toward Earth. Aided by NASA official Dr. Teddy Oglethorpe (Rob Morgan), our heroes bravely try to warn the world. As the news breaks, backwards mobs vehemently deny […]

Belly up

Adapted from J.R. Moehringer’s memoir, director George Clooney’s The Tender Bar is story worth telling—and at times it’s well-told. But the film never fully coalesces, and it feels like a rough cut in need of further editing.  The Tender Bar has the makings of a truly touching story: Young J.R. Maguire (Daniel Ranieri) transcends his […]

Carnival swindle

From start to finish, Guillermo Del Toro’s Nightmare Alley is a dreary, plodding, flashy reminder of why filmmakers should leave great movies alone. The William Gresham novel was adapted into a 1947 film noir classic, and again by Del Toro­—but Del Toro’s misuse of excellent source material is the real nightmare here. The film follows […]

Flashback to fun

With the current glut of super­heroes, franchises, and remakes at movie theaters, a film like Paul Thomas Anderson’s Licorice Pizza stands out by default simply for being low-key, unpredictable, and featuring normal- looking people. It’s also low on narrative cohesion and depth, and still sticks out. In short, Licorice Pizza is enjoyable with a strong […]

Ones to watch

Reviewing 2021’s cinematic output is different from years past. Not only were more movies watched at home this year, but there are no clearly defined trends to speak of. (Showing grand productions like West Side Story and intimate actor showcases like Mass in side-by-side multiplex theaters is enough to induce cinefile whiplash.) One reliable throughline, […]

Sit and stay

While most traditional westerns take place around 1890 or so (when the American frontier was officially no longer deemed unsettled), Jane Campion’s gripping, brilliantly acted The Power of the Dog begins in 1925. We know this because brothers Phil (a mesmerizing Benedict Cumberbatch) and George (Jesse Plemons) get nostalgic during a cattle drive, and reminisce […]

Playing for keeps

There is a certain charm to an actor who doesn’t shy away from playing the fool, especially when that actor is also the writer, director, and producer of the film. Jim Cummings is one of the newest multihyphenates in Hollywood, and he is not afraid to be a dunce. Cummings has been directing and writing […]