Greek comedy Chevalier, from Athina Rachel Tsangari, has the potential to be the quietest artistic revolution in recent cinematic history. Dry as a bone yet laugh-out-loud hilarious, steady in pace yet always keeping the threat of a bloody, outrageous conclusion within reach, Tsangari masterfully elevates a story that would feel right at home in a […]
Greek comedy Chevalier, from Athina Rachel Tsangari, has the potential to be the quietest artistic revolution in recent cinematic history. Dry as a bone yet laugh-out-loud hilarious, steady in pace yet always keeping the threat of a bloody, outrageous conclusion within reach, Tsangari masterfully elevates a story that would feel right at home in a […]
Fly-on-the-wall political documentary Weiner begins with a loaded, world-weary sigh from its subject, former congressman Anthony Weiner. “Shit. This is the worst, doing a documentary on my scandal.” Directors Josh Kriegman and Elyse Steinberg then launch into a montage of extremes: the many puns and potshots that ensued, as well as scenes from the House […]
Though his name is practically synonymous with groundbreaking artistic vision, Steven Spielberg’s second wind may just be his greatest, most unprecedented achievement yet. After Indiana Jones and the Kingdom of the Crystal Skull—the perfunctory sequel in which it was clear that all returning parties were running on autopilot with little personal investment in the result—Spielberg […]
Free State of Jones has heart, it certainly has brains, yet any semblance of a body for either to do its job properly is nowhere to be found. Supposedly the story of Newton Knight, the controversial leader of a rebellion against the Confederacy in Jones County, Mississippi, Jones is little more than a sequence of […]
On the one hand, the mere fact that Finding Dory is not the best or worst sequel Pixar has made is quite an accomplishment, and illustrates another area in which the animation studio has managed to defy expectations. Between this and the fact that it is a light-hearted and well-meaning children’s movie about silly fish […]
As a technically gifted and revolutionary presence in a once-stale genre that inspired both the best and the worst trends of the subsequent decade, it may be fair to say that James Wan is the Rage Against the Machine of modern horror films. As the creator of the Saw franchise (the first of which is […]
It’s little surprise that The Lobster, the English-language directorial debut of award-winning Greek filmmaker Yorgos Lanthimos (Dogtooth), has left quite the impression on audiences and critics alike. In its limited release it has garnered rave reviews and generated word-of-mouth notoriety that reaches far beyond its modest marketing campaign. What is surprising is just how comfortable […]
When Marvel first sold the film rights to its biggest properties —Spider-Man, X-Men, Fantastic Four—it was not yet aware of the gold mine that awaited it with The Avengers series. And at first, Sony and Fox were doing interesting things with their acquisitions; the first two Spider-Man movies by Sam Raimi are industry-defining milestones for […]
For the first time in his impressive career, the Shane Black formula never clicks. The Nice Guys, a somewhat enjoyable mystery-comedy, feels more like a filmmaker doing an impression of the writer-director than the work of the man himself. First, an assessment of what makes Black’s work stand out. More than any other modern filmmaker, […]
If you’ve so much as surfed past CNBC on your way to something actually worth watching, you’re no doubt familiar with the smugness of what might be called the financial entertainment industry. The most visible of this ilk is Jim Cramer of “Mad Money,” the apoplectic insider with his sleeves rolled up, surrounded by props […]