Dan Deacon taps your inner glee through crowd participation
I can vividly remember hearing Dan Deacon for the first time. His debut full-length album, released in the spring of 2007 (with the unfortunate title of Spiderman of the Rings) begins with a dense burst of buzzing electronic harmonies and sampled Woody Woodpecker sound-effects, and I was instantly a fan. Deacon’s music is exuberant and impossible […]