Both sides of joy
By Sarah Sargent A sense of joy permeates Russ Warren’s “The Disciple” at Les Yeux du Monde. The feeling comes from the jazzy Tex-Mex inflected palette—fiery reds and oranges, slicker yellow and bright turquoise—Warren favors. But it’s also conveyed by the sense of humor, surrealist flourishes, and simple, almost childlike forms that inhabit Warren’s particular […]