Film review: Obvious Child reflects a woman flawed and whole

Let’s answer your most pressing question about Obvious Child: Yes, Paul Simon’s song “Obvious Child” appears in the movie. Twice. Unless you’ve been avoiding press about movies since January, you know Obvious Child is a romantic comedy in which the main character, Donna (Jenny Slate), has an abortion. But that’s not entirely what the movie […]

Film review: Style and substance combine forcefully in Ida

The most beguiling thing about Pawel Pawlikowski’s Ida is its look. Its cinematography, by Ryszard Lenczewksi and Lukasz Zal, is so beautiful that it’s easy to forget you’re watching a challenging drama about faith, love, loss, and the ravages of war on identity. Each shot is so artfully composed, in fact, that the photographic artistry […]

The Niche at UVA points media in a new direction

The flat screen is unassuming—a 60″ monitor mounted to the wall in UVA’s Fiske Kimball Fine Arts Library. Surrounded by chairs and headphones, The Niche currently plays a loop of video from the stop-motion animation program “Stop & Go: Made from Scratch.” Sounds benign, but associate professor of new media Lydia Moyer sees it as […]

Young filmmaker Sam Gorman returns to Light House as mentor

It’s going to be an exciting summer at Light House Studio. The local youth filmmaking nonprofit’s website redesign is up and running, and they have a new location for their summer workshops while the City Center for Contemporary Arts—also home to Live Arts and Second Street Gallery—undergoes renovations. Inside the studio, a group of Light […]

Album reviews: Wetwood Smokes, Jason Burke, The Falling Birds

Wetwood Smokes Earth Tones & Red/Self-released This Southern California-based rock trio has released a gem of a debut. Mixing rock and pop together with the precision and skill of a veteran act, Wetwood Smokes makes quite a statement with this release. The swelling piano pop of “I Am the One” is college radio perfect, while […]

Edge of Tomorrow succeeds on teamwork and smarts

It’s not unreasonable to imagine that Tom Cruise, perhaps the last of the old school movie stars, had lost it. He hasn’t had a bona fide hit since 2011 with Mission: Impossible—Ghost Protocol, and as good as some of that movie is, it certainly coasts on the strength of being part of a big franchise. […]

Jon Favreau’s Chef is predictable and pleasing

Sometimes it’s nice to see a nice movie. “Nice” is a bad word—it’s usually reserved for people who are inoffensive but undatable or your grandmother’s ruminations on her flower garden—but occasionally the word just works. “Nice” is a good description of Chef, writer-director Jon Favreau’s return to smaller stories after the gargantuan (and flat, and […]

Album reviews: Carrie Elkin & Danny Schmidt, Eli Cook, Coldplay

Carrie Elkin & Danny Schmidt For Keeps/Red House Records Whether performing individually or as a duo, Carrie Elkin and Danny Schmidt have proven themselves to be two of Austin’s most engaging singer-songwriters in recent years. For Keeps only furthers this opinion. Whether marrying dusty vocals on the charming “If I Need to Know,” or singing about […]

Film review: Blended relies on clichés to stay afloat

It just so happens that Adam Sandler once made good movies. More than once, even. There’s Billy Madison and Happy Gilmore. And on the odd occasion he acts in a drama, he gives good performances in the so-so Punch-Drunk Love, the flawed Reign Over Me and the highly flawed but watchable Funny People. But whatever. There […]