There’s a story about “Jack and the Beanstalk” in which Jack trades a cow for some magic beans. He gets the beans wet, they grow into a beanstalk that reaches into the sky, and Jack and a rabbit battle a giant with a speech impediment who wants to grind their bones to make bread.
There’s a story about “Jack and the Beanstalk” in which Jack trades a cow for some magic beans. He gets the beans wet, they grow into a beanstalk that reaches into the sky, and Jack and a rabbit battle a giant with a speech impediment who wants to grind their bones to make bread.
A loving married couple, Anne (Emmanuelle Riva) and Georges, (Jean-Louis Trintignant), both retired music teachers in their 80s, find their marriage taking a markedly different turn when Anne suffers a stroke. At first, Anne is able to retain something of her former self. She’s confined to a wheelchair, but has control of one side of her body.
The use of tablets and laptops in middle and high schools has created controversy in Charlottesville city schools, but St. Anne’s-Belfield School French teacher Karine Boulle has reason to rave about iPads. After 17 sessions of intense writing, translating, and coding, Boulle’s class of eighth graders completed 2Lingua Kids, a bilingual iPad app that teaches […]
Brian Palmer reviews the latest releases from Fiction Family, Trixie Whitley and Sandra McCracken.
The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical.
A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
With Wolf’s Law, The Joy Formidable have released what may be one of the best rock albums of 2013. Between the epic rock, gorgeous melodies, swelling choruses, singer Ritzy Bryan’s pixieish and ethereal vocals convey all the dramatic sweep of a concept album that fulfills its promise.
What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make friends, and has one in M (Rob Corddry).
Non-sequitur alert: Now that the wretched Super Bowl is over, let’s discuss music documentaries. There are two reasons I’m thinking about music documentaries. First, 2012 was a great year for them. Searching for Sugar Man—which is nominated for an Academy Award for Best Documentary Feature—gets my vote for the best nonfiction narrative film of last […]
Is this movie a comedy? Horror? A—gasp!—drama? Why does Jeremy Renner play Hansel for laughs? Why does Gemma Arterton play Gretel straight, but occasionally for laughs? Why is Famke Janssen so, so, so serious? For that matter, why is she covered in hideous make-up for the most of the movie when she has such an exquisite face?