Anna St. Louis If Only There Was a River (Woodsist) Woodsist calls this the “debut” of Kansas City native Anna St. Louis— odd, since they also released her First Songs full-length last year. Maybe they want us to grade her on the “beginner” scale, but the truth is that If Only There Was a River […]
Anna St. Louis If Only There Was a River (Woodsist) Woodsist calls this the “debut” of Kansas City native Anna St. Louis— odd, since they also released her First Songs full-length last year. Maybe they want us to grade her on the “beginner” scale, but the truth is that If Only There Was a River […]
White Denim Performance (City Slang) The new record by Austin’s scraggle rock standard bearers opens with the tumble of a spinning radio dial. It sounds ironic but it could also be a statement of purpose; on Performance, White Denim skillfully updates various ’70s rock styles from the jump, the horn-laden, glammy stomp of “Magazin” leading […]
The Essex Green Hardly Electronic (Merge) I know I’m not alone in pronouncing this spring and summer a total bust—for every nice day, we’ve had a week of muggy, gloomy, rainy weather. Which gives The Essex Green’s Hardly Electronic both a wistful pang and a vicarious thrill, because the album’s 14 graceful indie-pop tracks collect […]
Jim James Uniform Distortion (ATO) Jim James takes enough chances that I gotta pull for the guy— usually from a distance, but hey. Uniform Distortion’s 11 squalling tracks walk the line between garage rock and classic rock demos before landing in the latter camp—the tip off coming on “You Get to Rome” with its quote […]
Vince Guaraldi The Complete Warner Bros. -Seven Arts Recordings (Omnivore) In “Linus and Lucy,” Vince Guaraldi created one of the most universally beloved recordings of all time, but it’s hard to find his stuff besides A Charlie Brown Christmas soundtrack. Omnivore helps with this nifty two- disc reissue, comprising three albums from 1968-69 plus four […]
The Orb No Sounds Are Out of Bounds (Cooking Vinyl) The English ambient house legends have had an uneven if steady output since their landmark debut in 1991, but they seem to have settled into a reliable if redundant groove after their 2012 collaboration with Lee “Scratch” Perry. No Sounds Are Out of Bounds brings […]
Golden Dawn Arkestra Children of the Sun (Nine Mile) While borrowing Sun Ra’s band name and giving songs titles like “Ra Horahkty” and “Wings of Ra,” Golden Dawn Arkestra comes from a planet that’s as much spy rock as cosmic jazz. Despite some vintage keyboards and occasional attempts at menace, GDA never fully weirds the […]
Melody’s Echo Chamber Bon Voyage (Fat Possum) Melody Prochet’s 2012 debut was produced by Tame Impala’s Kevin Parker and shared many stylistic markers with Impala’s Innerspeaker, which was just peachy. Bon Voyage was co-produced by Dungen’s Reine Fiske, but while Fiske’s guitar and Dungen main man Gustav Esjtes’ flute are present here, they’re not exactly […]
Chip Wickham Shamal Wind (Lovemonk) Wickham, a flute-and-reeds player who has worked with artists from Badly Drawn Boy to Roy Ayers, relocated from Manchester to Qatar and emerged as a bandleader on 2017’s La Sombra—a fruitful hybrid of ’60s modal jazz and funk with Latin shadings. This follow-up is more of the same, and buoyed […]
Domenico Lancellotti The Good is a Big God (Luaka Bop) One of the most creative interpreters of traditional Brazilian pop, Lancellotti puts an odd foot forward on The Good is a Big God with the plodding incantation “Voltar Se” before correcting course and finding a groove on the title track, a clavinet-laden postcard from some […]