Movies playing in town

Movies playing in town10,000 B.C. (PG-13, 109 minutes) Roland Emmerich (Stargate, Independence Day) directs this big-budget SPFX extravaganza. It’s, well, 10,000 B.C., and a hairy, mammoth-hunting hero (unknown Steven Strait) is prevailed upon to rescue his tribe from a civilization of pyramid-dwelling slavers. Omar Sharif is in there, doing his best prehistoric work since The […]

Red hot poker

America loves to play cards. Hollywood loves to gamble. Over the years, and with increasing frequency, the movie industry has tried to exploit this by giving us films about card-playing: The Cincinnati Kid, California Split, Maverick, Rounders, The Cooler, Lucky You. Hell, even the last James Bond film managed to shoehorn in a pivotal Texas […]

San Francisco for the win

“The Real World Awards”Wednesday 10pm, MTV An entire master’s thesis could be (and probably has been) written on “The Real World,” analyzing its pop culture relevance as grandpappy to the reality TV craze and its early focus on legitimate social issues facing late-20th-century youth, and then dissecting its descent into a televised Petri dish filled […]

First Friday, April 4, 2008 [With Photo Gallery]

Art Upstairs Gallery A collection of works by Peter Alamonte, 6-9pm.Batteau Custom Framing Works by Judith Ely, Cayce Odom and Christine Rich, 5-8:30pm.BozArt Gallery ”Celtic Patterns Around the World,” works in multiple media by Matalie Griffin Rivard Deane, Bob Deane and Jim Watkins, 5-9pm.Café Cubano “How I See It,” paintings by Mary Michaela Murray, 5-7pm. […]

Movies playing in town

Movies playing in town10,000 B.C. (PG-13, 109 minutes) Roland Emmerich (Stargate, Independence Day) directs this big-budget SPFX extravaganza. It’s, well, 10,000 B.C., and a hairy, mammoth-hunting hero (unknown Steven Strait) is prevailed upon to rescue his tribe from a civilization of pyramid-dwelling slavers. Omar Sharif is in there, doing his best prehistoric work since The […]

The Raw deal [with video]

Second-year art major Laura Lin is framing a handful of portraits—many watercolors, a few oil pastels, most still bearing the heavy pencil lashings of a young artist—on a makeshift table beneath a single lamp and an open ceiling.

Knowing the Drill

After writing, directing and/or producing a four-year string of comedy hits (Anchorman: The Legend of Ron Burgundy, The 40-Year-Old Virgin, Talladega Nights: The Ballad of Ricky Bobby, Knocked Up, Superbad, Walk Hard: The Dewey Cox Story), Judd Apatow could be forgiven for taking a little break, if for no reason other than to preserve the […]