Law and disorder in Eastwood’s latest
As he’s aged and moderated his public image, Clint Eastwood has taken to directing movies with a certain unhurried, chivalrous confidence. When it charms, people call it “classical.” Otherwise, maybe the word they’re looking for is “fogeyish.” In the clunky, overlong Changeling, a true tale of child abduction, authoritarian corruption and maternal indignation in late-’20s […]