ARTS Pick: Corey Harris & The Rasta Blues Experience
With a trademark appreciation for the timeless sound of traditional blues, Corey Harris & The Rasta Blues Experience celebrate the release of Fulton Blues.
With a trademark appreciation for the timeless sound of traditional blues, Corey Harris & The Rasta Blues Experience celebrate the release of Fulton Blues.
With a trademark appreciation for the timeless sound of traditional blues, Corey Harris & The Rasta Blues Experience celebrate the release of Fulton Blues.
Todd Snider lives on the other side of the tracks from the Music City establishment. It’s in his attitude as much as his address. With a reverence for Americana in its many forms, and a delivery that can mirror the wry wit of early Dylan or the earnest twang of John Prine, Snider tells humorous tales of sketchy characters and uses thought-provoking wisdom from the dive-bar underbelly to rail against what ails him.
O.K. let’s go Pilobolus is a dance company named after a fungus, and since its inception in the early ’70s, its mission has always been to live up to its namesake by pursuing a unique and organic approach to movement performance. To kick off a UVA residency featuring a series of student workshops, the touring […]
“Originally it was the idea of taking an old science fiction premise that wasn’t very good, and using it as a basis for sketch comedy,” Jones said. “But then I found this movie, that had everything I wanted.”
Bent Theatre goes all the way—with a bit of “Saturday Night Live,” a dash of “Whose Line is It Anyway?,” a touch of “MadTV,” and plenty of other side-splitting schticks.
Hailing from Roanoke, Another Roadside Attraction has the uncanny ability to envelope audiences in its strange carnival atmosphere.
Amy Tan weaves together tales of family, memory, struggle, fate, and ultimately self-discovery in this year’s Big Read, The Joy Luck Club.
A loving married couple, Anne (Emmanuelle Riva) and Georges, (Jean-Louis Trintignant), both retired music teachers in their 80s, find their marriage taking a markedly different turn when Anne suffers a stroke. At first, Anne is able to retain something of her former self. She’s confined to a wheelchair, but has control of one side of her body.
Let’s begin with an end. The end of Bruce Willis, that is. I went to see A Good Day to Die Hard,the fifth Die Hard, last week at the Regal Stonefield 14 theater. (Side rant: The Stonefield theater is great; Stonefield’s layout isn’t.
Local singer/songwriter Ashley McMillen is proving that inspiration combined with perspiration breeds success.