All things to all men As I got older, the process of picking art apart for offending elements made less and less sense to me, and coincided not only with my own intellectual growth, but also with my father’s spiritual development. As he grew into his faith, his beliefs became more of a natural […]
Street art, anonymous messages and cryptic interactions are all clues in the reality game documented in the indie pop-psych documentary The Institute.
It may seem strange to suggest that a movie about the survival of the human race doesn’t have high stakes, but Oblivion, a movie about the survival of the human race, doesn’t feel as if it has high stakes. What Oblivion does have is a unified vision, excellent production design, camera work and computer graphics, […]
Crooner Carol Covell, a mainstay of the Richmond Jazz Society for nearly 15 years, and Skip Gailes, a VCU jazz piano and saxophone instructor, solidify the classy new image at Escafe.
One of America’s great art connoisseurs and patrons, Paul Mellon was quoted as saying that he and his wife “almost never buy a painting or drawing we would not want to live with or see constantly.” Having cut his teeth on father Andrew Mellon’s renowned art collection (which formed the nucleus of the National Gallery of Art), Paul Mellon was graced with an extraordinarily refined eye.
In 2011, Sub Pop, the indie record label that first signed Nirvana and almost single-handedly sold grunge to the world, released Black Up, the first full-length album from Shabazz Palaces, one of Seattle Hip-Hop’s biggest stars.
Liz Duffy Adams’ Or, is Live Arts’ latest offering, a deftly minced hodge-podge of a play, primarily consisting of what may be incompletely described as a retroactively considered Restoration comedy. Now, when was the last time you had a serious hankering for a Restoration comedy? Some ambivalent theater-goers find Shakespeare intimidating and obscure (they shouldn’t, […]
The UVA drama department closes its 2012-13 season and busts open the doors of the much anticipated, state-of-the-art Ruth Caplin Theatre with the 1936 classic screwball comedy, You Can’t Take It With You.
Let’s say it’s 2028, and you’ve decided to watch the new film Before The Finish. The plot is based on the 2013 Boston Marathon bombing, which killed three and injured hundreds. Despite such a heavy topic, the film features plenty of comic relief, like the person setting the bombs forgetting to replace the detonator’s batteries. […]