ARTS Picks: Carol Covell and Skip Gailes
Crooner Carol Covell, a mainstay of the Richmond Jazz Society for nearly 15 years, and Skip Gailes, a VCU jazz piano and saxophone instructor, solidify the classy new image at Escafe.
Crooner Carol Covell, a mainstay of the Richmond Jazz Society for nearly 15 years, and Skip Gailes, a VCU jazz piano and saxophone instructor, solidify the classy new image at Escafe.
Crooner Carol Covell, a mainstay of the Richmond Jazz Society for nearly 15 years, and Skip Gailes, a VCU jazz piano and saxophone instructor, solidify the classy new image at Escafe.
One of America’s great art connoisseurs and patrons, Paul Mellon was quoted as saying that he and his wife “almost never buy a painting or drawing we would not want to live with or see constantly.” Having cut his teeth on father Andrew Mellon’s renowned art collection (which formed the nucleus of the National Gallery of Art), Paul Mellon was graced with an extraordinarily refined eye.
In 2011, Sub Pop, the indie record label that first signed Nirvana and almost single-handedly sold grunge to the world, released Black Up, the first full-length album from Shabazz Palaces, one of Seattle Hip-Hop’s biggest stars.
Liz Duffy Adams’ Or, is Live Arts’ latest offering, a deftly minced hodge-podge of a play, primarily consisting of what may be incompletely described as a retroactively considered Restoration comedy. Now, when was the last time you had a serious hankering for a Restoration comedy? Some ambivalent theater-goers find Shakespeare intimidating and obscure (they shouldn’t, […]
The UVA drama department closes its 2012-13 season and busts open the doors of the much anticipated, state-of-the-art Ruth Caplin Theatre with the 1936 classic screwball comedy, You Can’t Take It With You.
Let’s say it’s 2028, and you’ve decided to watch the new film Before The Finish. The plot is based on the 2013 Boston Marathon bombing, which killed three and injured hundreds. Despite such a heavy topic, the film features plenty of comic relief, like the person setting the bombs forgetting to replace the detonator’s batteries. […]
Bachman’s crew-cut, corn-fed charm might lead you to initially mistake him for yet another singer-songwriter-type seeking industry validation, but even a cursory listen to one of his tunes should reassure you that his muse was grown on the true vine.
Eddie Vedder, tUnE-yArDs, and every nimble-fingered kid with a YouTube channel have ensured a full-on ukulele revival, but Honolulu-born Jake Shimabukuro is emerging from the pack a “technical hero.”
Thankfully, 42 isn’t sanctimonious and Jackie isn’t sage-like. From the movie’s perspective, he’s just a boring guy who wants to play baseball. Jackie also knows that he has to be the coolest head on the field; Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) tells him as much.