Fralin Museum’s “Corot to Cézanne” paints a portrait of the collectors

One of America’s great art connoisseurs and patrons, Paul Mellon was quoted as saying that he and his wife “almost never buy a painting or drawing we would not want to live with or see constantly.” Having cut his teeth on father Andrew Mellon’s renowned art collection (which formed the nucleus of the National Gallery of Art), Paul Mellon was graced with an extraordinarily refined eye.

Spy games: Live Arts’ Or, explores the life and loves of Aphra Behn

Liz Duffy Adams’ Or, is Live Arts’ latest offering, a deftly minced hodge-podge of a play, primarily consisting of what may be incompletely described as a retroactively considered Restoration comedy. Now, when was the last time you had a serious hankering for a Restoration comedy? Some ambivalent theater-goers find Shakespeare intimidating and obscure (they shouldn’t, […]

When Art Imitates Pain

Let’s say it’s 2028, and you’ve decided to watch the new film Before The Finish. The plot is based on the 2013 Boston Marathon bombing, which killed three and injured hundreds. Despite such a heavy topic, the film features plenty of comic relief, like the person setting the bombs forgetting to replace the detonator’s batteries. […]

ARTS Pick: Jake Shimabukuro

Eddie Vedder, tUnE-yArDs, and every nimble-fingered kid with a YouTube channel have ensured a full-on ukulele revival, but Honolulu-born Jake Shimabukuro is emerging from the pack a “technical hero.”

Film review: 42

Thankfully, 42 isn’t sanctimonious and Jackie isn’t sage-like. From the movie’s perspective, he’s just a boring guy who wants to play baseball. Jackie also knows that he has to be the coolest head on the field; Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) tells him as much.