There is a sneaky sort of rebelliousness in Kenneth Branagh’s Cinderella—in the way it pushes back against the tide of revisionism and misdirected irony that has overtaken family entertainment in recent years. Sincere instead of sarcastic, elegant instead of flashy, and wishing to enchant audiences with charm instead of hypnotizing them with antics, Branagh’s intentions […]
From start to finish, everything about the Chappie experience is a pleasant surprise. Yes, Neill Blomkamp’s story of a police robot in the near future who becomes sentient can be viewed as a synthesis of Short Circuit and RoboCop, but the film gets the more familiar plot elements out of the way in the first […]
No movie star is as big as Will Smith, and nobody knows that better than Smith himself. With a swagger that rarely plays as charming, and the most enviable blockbuster-to-bomb ratio in Hollywood, Smith has carried duds to box office success through sheer star power and willed megabudget vanity projects into existence for the sole […]
Why is popularity always the reward for quirky high schoolers in movies where the whole plot is about learning to be happy without it? You don’t celebrate your twelfth step with a shot, you don’t get a mansion after reaching nirvana, but somehow our teenage morality scripts are still peddling the idea that trying to […]
I don’t know who or what director Sam Taylor-Johnson sacrificed to the god of false bondage, but it worked: Fifty Shades of Grey is the best film it could have possibly been given the circumstances. This is quite a different thing from saying it’s good. It’s not. At its core, this adaptation of E.L. James’ notoriously […]
Every Wachowski movie, for better or worse, is a passion project. There is no theme, visual detail, character or line of dialogue to which the sibling duo does not have a deep personal attachment, from the hopeful nihilism of The Matrix to Cloud Atlas’ meditation on reincarnation and the risk and reward of realizing your […]
“It’s not about black and white. It’s about right and wrong,” pleads wealthy lawyer Elliott Anderson (Kevin Costner) before a courtroom in defense of maintaining sole custody of his biracial granddaughter Eloise (Jillian Estell). Up until this moment, Black or White almost works. The entire film has been building to this moment, the linchpin of […]
What a rare pleasure it is to experience something that is truly, unmistakably awful. No, really; in an age where the knowing, ironic wink of an eye or a single act of ham-handed self deprecation is applauded even if the story is unwatchable, we have forgotten the cathartic joy that comes from watching an unambiguously […]
“Style over substance” is not generally a criticism that sticks to Michael Mann, a singular voice among directors for his unique take on suspense and action. Though there is no shortage of machine gun fire and high speed chases in his films, Mann gives equal weight to small moments of tension or introspection, gorgeous scenery […]
Among the many artistic and political accomplishments of Ava DuVernay’s Selma is the full embodiment of grassroots activism. After generations of society’s dismantling of the breadth of Martin Luther King, Jr.’s political and ethical contributions down to a single sound bite (that is routinely misappropriated), DuVernay has done King and the world a favor by […]