Learning curves

Director Alexander Payne’s The Holdovers is a love letter to 1970s cinema. An avowed cinephile, Payne affectionately evokes the era’s character-driven and frequently dark films with this wry comedy-drama. Payne’s Sideways’ star Paul Giamatti delivers a rich, funny performance in the lead, helping The Holdovers stand out as one of 2023’s best American movies. Set […]

The bad old days

Martin Scorsese’s Killers of the Flower Moon is nearly three and a half hours long, but its length just means the great filmmaker did justice to this sweeping, fascinating story. Flower Moon moves like a long fuse tensely burning down to an inevitable explosion. It’s a hypnotic, gorgeous, grand work and Scorsese’s best in years. […]

Iconoclastic as ever

For many years, filmmaker and UVA film professor Kevin Jerome Everson has figured prominently in Charlottesville’s moviemaking community. His experimental films have continually bypassed cinematic conventions in favor of “formal exercises,” he explains. A regular Virginia Film Festival guest, Everson will screen nine shorts on Friday, “all shot this calendar year,” he notes, and marked […]

Take a seat

The Holdovers Director Alexander Payne is a devoted cinephile who loves the style of intimate, wryly funny, character-driven films that were plentiful 50 years ago but are now nearly extinct. Payne’s films honor this bygone era of storytelling in welcome ways, including his newest work, The Holdovers. Set in 1970, the reliable Paul Giamatti stars […]

Do androids dream?

Writer/director Gareth Edwards’ The Creator is more than a science fiction thriller about the hot-button topic of artificial intelligence—it’s a gripping story that delves deeply into many points, including loss, grief, PTSD, misinformation, and the human cost of war, particularly on children. And, ironically, this tale of sentient robots is the most touchingly human movie […]

Iron lady

Israeli director Guy Nattiv’s new drama Golda isn’t a comprehensive biography of Israeli prime minister Golda Meir. Instead, it focuses on Israel’s 19-day Yom Kippur War in October 1973 and its aftermath. Although the film hits some sporadic high notes, it doesn’t maintain a level of quality or emotional intensity. In wraparound sequences, Meir (Helen […]

Getting chummy

Horror specialist Ben Wheatley’s Meg 2: The Trench is essentially a rehash of the giant monster shenanigans in 2018’s The Meg. It is exactly what its trailer leads you to expect: The prehistoric megalodon shark is back—along with its kinfolk—and they wreak havoc and devour a lot of people. It’s the definition of a big, […]

Destroyer of worlds

Based on Kai Bird and Martin Sherwin’s Pulitzer Prize-winning biography American Prometheus, writer/director Christopher Nolan’s biopic Oppenheimer follows physicist Robert Oppenheimer as he develops and detonates the first atomic bomb, then spends his life regretting it. The subject is fascinating, but, despite Nolan’s visual razzle-dazzle, the film only works sporadically. The movie occurs mainly in […]

Retirement of a lost art

James Mangold’s Indiana Jones and the Dial of Destiny is innocuous summer entertainment full of cliffhangers and hairbreadth escapes—but for all of its expensive spectacle, the film is just decent. The final entry in the wildly popular movie franchise starring Harrison Ford (and the only one Steven Spielberg didn’t direct) recaps many familiar notes from […]

Buff piece

Director Lesley Chilcott’s three-part Netflix series Arnold has a subject so famous and ubiquitous that a first name is all the title requires. Arnold Schwarzenegger has lived an epic life, carving out his mythic existence with success in multiple arenas. In this series his biography is presented strictly by-the-numbers in a creatively unambitious documentary about […]