Enigmatic Boston musician “Black Francis” played a leading role in the ’80s alternative rock scene. Art, darkness and angst defined Francis’ career with The Pixies and the solo years as Frank Black (and Frank Black and the Catholics) as did his unique, ranting howl vocals.
Hearing Mountains live can be a revelation, a chance to dissect the discrete elements that make up its dense wall of sound. Though the volume can be overwhelming, there’s very little on stage movement or communication; Holtkamp and Anderegg seemingly share a psychic bond that lets them know where they’re headed next, based on careful listening and years of working together.
Even by typical 21st century Vaudeville-style comedy act standards, the Flying Karamazov Brothers are unexpected and uncontrollable.
A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
Charlottesville music fans know Adam Smith as the front man for his namesake band The Invisible Hand, whose ability to knock out punchy, dense art-rock songs filled with hidden pop hooks has made it the best rock band in town. But for as long as he’s led that band, Smith has also indulged in a […]
For over 30 years, Ian MacKaye has been rethinking how rock & roll should work. As a teenager in the groundbreaking hardcore band Minor Threat he wrote passionate, aggressive anthems that inspired generations of punk kids to question the world around them.
Jason Lappa and Jayson Whitehead hope to provide an outlet through the Bantam Theater, which opened in the Michie building’s Market Street courtyard, a space recently occupied by Club 216 (and before that, the original location of Live Arts).
Asked for a favorite musical memory of Charlottesville, James McNew concedes “It’s hard to pick just one,” though he does cite a late-career appearance by Black Flag, as well as shows by regional punk bands like Government Issue and Honor Roll.
Grand Banks might be one of Charlottesville’s best-kept secrets. The duo of guitarist Davis Salisbury and keyboardist/singer Tyler Magill have been playing together for over 10 years, yet its discog-
raphy amounts to a handful of CD-Rs, and performances and recordings can go on hiatus for years at a time. But when Grand Banks gets together, dedicated followers anticipate some of the most transcendent, satisfying musical experiences around.
The loose community around The Garage suffered a shock in mid-September, when an elderly driver, departing from the funeral home, accidentally kept her car in reverse and backed through one of The Garage’s brick walls. Thankfully no one was injured, but The Garage now has a gaping, cartoon-like hole where its south face used to be.