A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
Charlottesville music fans know Adam Smith as the front man for his namesake band The Invisible Hand, whose ability to knock out punchy, dense art-rock songs filled with hidden pop hooks has made it the best rock band in town. But for as long as he’s led that band, Smith has also indulged in a […]
For over 30 years, Ian MacKaye has been rethinking how rock & roll should work. As a teenager in the groundbreaking hardcore band Minor Threat he wrote passionate, aggressive anthems that inspired generations of punk kids to question the world around them.
Jason Lappa and Jayson Whitehead hope to provide an outlet through the Bantam Theater, which opened in the Michie building’s Market Street courtyard, a space recently occupied by Club 216 (and before that, the original location of Live Arts).
Asked for a favorite musical memory of Charlottesville, James McNew concedes “It’s hard to pick just one,” though he does cite a late-career appearance by Black Flag, as well as shows by regional punk bands like Government Issue and Honor Roll.
Grand Banks might be one of Charlottesville’s best-kept secrets. The duo of guitarist Davis Salisbury and keyboardist/singer Tyler Magill have been playing together for over 10 years, yet its discog-
raphy amounts to a handful of CD-Rs, and performances and recordings can go on hiatus for years at a time. But when Grand Banks gets together, dedicated followers anticipate some of the most transcendent, satisfying musical experiences around.
The loose community around The Garage suffered a shock in mid-September, when an elderly driver, departing from the funeral home, accidentally kept her car in reverse and backed through one of The Garage’s brick walls. Thankfully no one was injured, but The Garage now has a gaping, cartoon-like hole where its south face used to be.
Using Exile-era Stones as their sacred text, the Jon Spencer Blues Explosion crank the knobs up to 11.
The creative crowd funding series Charlottesville SOUP, based on a model created by The Garage founder Kate Daughdrill, launches at The Bridge PAI.
Steve Snider laughed when I asked him to list every Charlottesville band he’s played in over the years. “There’s like, more than a dozen,” he said. “I’m not totally sure I can even name them all.” Among the most memorable are the jangling indie-rock of the Fingerpainters, the yelping keyboard-punk of Cataract Camp, the anthemic […]