The Jezabels Synthia/Self-released As much an ode to self-acceptance as it is to bearing the standard of feminism, Synthia is equal parts euphoric and cathartic in its exploration. The epic synth-rock opener “Stand and Deliver” finds singer Hayley Mary revisiting her childhood and begging her daddy to prioritize her over his work. “My Love is […]

Signature styles Cross Record Wabi-Sabi/Ba Da Bing Records Emily Cross’ sophomore release is equal parts creepy, beautiful and utterly haunting. From the unusual opener, “The Curtains Part”—with its orchestral flourishes, off-kilter jazz horn, in-and-out ambient acoustic guitar and breathy, airy vocals—to “Wasp in a Jar”—with its plodding, thick-as-molasses bass and distorted electric guitar led by […]

Lemolo Red Right Return/self-released There is an undeniable ghostly beauty to this record from Meagan Grandall. The lush vocals on Red Right Return play off of the swelling, often moody musical aesthetics, resulting in a euphoric experience. Ambient piano ballads such as “White Flag” are beautifully offset by alt-rock flair on tracks such as “One […]

Cage the Elephant Tell Me I’m Pretty/RCA Continuing the exodus from the brash alternative rock that typified Cage the Elephant’s first few releases, Tell Me I’m Pretty continues the artistic evolution that started on its last release, Melophobia. Classic rock fills every nook and cranny of this record from the thrumming bass and massive drums […]

It’s been an interesting year. Between “Uptown Funk” and “Shake It Off,” the music world has been dancing up a storm, but it’s also seen some head-scratchingly bizarre releases (I’m looking at you, Mutemath) and yawned at familiar material (Muse). So what to make of this year’s so-called best releases? What follows is one man’s […]

Rock steady Foo Fighters Saint Cecilia EP/RCA Records If the Saint Cecilia EP is indeed the Foos’ last recording—and Dave Grohl has hinted it could be—then it’s one final shotgun blast that will leave your ears ringing long after it ends. There is a rawness to these five tracks that’s been missing on the past […]

Mimi Page The Ethereal Blues/self-released Mimi Page has been carving out a niche for herself in the indie electronic scene for several years, and The Ethereal Blues is her most accomplished work yet. The singer-songwriter’s breathy vocals are as spellbinding as ever on ambient numbers such as “Indigo,” and on the gritty electronic track “All […]

Wild Child Fools/Dualtone Records Fools is a damn near-perfect album. From the way singers Kelsey Wilson and Alexander Beggins marry their vocals throughout, to the album’s ebullient yet thoughtful tonal scope, the experience can’t be beat. The rock-stomper “Meadows” is layered with a slightly unhinged piano that gives the track a delightfully off-kilter vibe; “The […]

Julienne Dweck Black Licorice/self-released Four-plus years after her delightful debut album, On Paper, Dweck is finally back with a new release, and it was worth the wait. Fans will note that much of what they loved about her relationship-focused songs, occasional bits of whimsy and adventurous musical choices are still here. “If Only” has a […]

Thunderbitch Thunderbitch/self-released If you think Brittany Howard is too confined as the frontwoman of Alabama Shakes, look no further than her new side project, Thunderbitch. To say she is unhinged here—and good God is it glorious—is an understatement. Guttural roars tear out of her lungs like cannon fire on many tracks, with “Closer” being a […]