Begun as a side project in Washington state over two decades ago, Death Cab for Cutie broke through with relatable, brokenhearted odes on 2003’s Transatlanticism, an album that landed songs on “The O.C.” series soundtrack and ratcheted up the group’s indie rock caché. On tour for its ninth studio album, Thank You for Today, Ben Gibbard and company still deliver their distinct lyrical talent and instrumentals.
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On her sophomore album, In The End It Always Does, The Japanese House, aka Amber Bain, explores themes of love, loss, and identity. With her dreamy vocals and heartfelt lyrics, Bain captures the cyclical nature of relationships in a range of real experience that is unapologetically human. The album, co-produced by George Daniel of The […]
No blank pages
Shannon Spence awoke to her calling as a cartoon artist while pursuing a fine arts degree focused on printmaking at University of Virginia. In her fourth year, she took a course in sequential art–and she saw her future. “I realized what incredible potential comics were as an art form, and it just clicked for me,” […]
Informal arrangements
By Aaron Irons The Arcadian Wild finds uplift and grace amid warm harmonies on Welcome, the Music City string band’s latest effort, which blends elegance and heart-swelling dynamics with endearing revelations. Equal parts meditation and jubilation, Welcome offers connection and understanding in an era when such notions are at a premium. Lincoln Mick formed The […]
